11/30/2022 0 Comments The grass is singing new york times![]() ![]() The precise number of women’s community giving circles can be a little tricky to parse. Mesch, a director of the Women’s Philanthropy Institute at the Indiana University School of Philanthropy. “It’s a way that women are becoming more strategic in their generosity and making the biggest impact on groups and causes they care about,” said Debra J. It expects to work with 300 students this year via additional weekends, summer workshops and a pilot mobile unit, with an operating budget of $204,980. Rock to the Future, for example, has expanded to 35 after-school students from 13. Members pool their money to make grants to local nonprofit groups, realizing that one hefty contribution can have an immediate influence in a community. It received start-up financing of $15,000 in 2010 from Women for Social Innovation, a nonprofit philanthropic “giving circle” with a membership of around 20 women, providing seed money to social innovators seeking to help women, girls and families in the Greater Philadelphia area. “We focus on contemporary music and instruments to get students engaged and motivated,” said Jessica Craft, 28, the program’s founder and executive director. The students are part of Rock to the Future, a nonprofit after-school music program for underprivileged children who receive individual music lessons, learn to read sheet music, compose their own songs, play a range of instruments like drums, guitar and keyboards - and form their own rock bands. And as the voices of the eight vocalists merge while they gather around the piano and their vocal coach, it is easy to forget for a minute that this is not a troupe of professionals. The simple repetition of the word is comforting, mesmerizing and uplifting. It’s a soaring rendition of a ubiquitous song. ![]() Michael’s Lutheran Church in North Philadelphia, more than a century old, the walls, lined with stained glass windows, reverberate with the haunting strains of a chorus of middle schoolers singing Leonard Cohen’s “Hallelujah.” ![]()
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